Public wording gives this work real weight.
This tribute can say archaeology and restoration were central to how she publicly described the work.
Archaeology & restoration
The public record shows that Mary Alice Bennett described herself in relation to archaeology and restoration, not only painting or gallery work. That matters because it helps explain why ancient places, visual reconstruction, symbolic interpretation, and image-based research move together across the site.
Restoration overview
This overview gives the ancient-world and reconstruction material the weight it needs. It brings together identity language, visible credits, outside corroboration, and related sites in one place.
This tribute can say archaeology and restoration were central to how she publicly described the work.
Izapa, MJA Studio, Andrew Gough, and related reconstruction traces create a stronger evidentiary floor.
The works catalog, places, research projects, Plumed Conch, and Izapa sections now reinforce one another clearly.
What this section does
Publicly visible framing
There is now enough public support to say that archaeology, restoration, and visual reconstruction were central parts of how she presented her work online.
MJA Life archive interpretation based on preserved public-source wording and credits
Key work threads
These are the areas the site can already support without overstating exhibition history or inventing institutional credentials.
One of the clearest preserved examples of interpretive or colorized ancient-world image work tied publicly to Mary Alice Bennett / MJA.
The outside credit trail suggests that more than one Izapa-related image circulated under her name, strengthening this thread beyond a single isolated image.
The public record already preserves this title as part of the reconstruction and ancient-world visual work associated with MJA Studio.
Related thread: Teotihuacan also stays visible through the broader Plumed Conch comparative thread, which is why this title now cross-connects to both archaeology and place-based pages.
The Plumed Conch shows how Maya, Tulum, Izapa, and Teotihuacan references were being organized together across a dedicated research blog.
Related thread: the clearest visible post anchors now tied into the site are The Diving god for Tulum / Izapa and Maya Region – Round Calendars for Copan / calendar imagery.
Later-preserved posts keep the archive from reading like a one-time project. The restoration thread persists across multiple places and years.
The Dos Pilas section has a careful dedicated essay, which lets the ancient-world bibliography keep growing even where direct article recovery is still incomplete.
The Chocolate Warrior essay gives this tribute a Jaina / Campeche object study, where one article can meet figurine, ballgame, and Maya context.
The Bugarach essay gives this tribute a France-side study where terrain and symbolic history meet the published article.
The King Tut essay gives this tribute a fuller Egypt study, where one article can be widened with Amarna, Amun restoration, and dynastic context.
The Poussin essay gives this tribute a France-to-Campania study, where one article can be widened with Arcadian painting, Rennes-les-Bains terrain, and Pompeii / Herculaneum context.
The Leonardo essay gives this tribute a real Renaissance painting study, where one article can be widened with San Donato in Scopeto, the Uffizi, unfinished-panel context, and conservation history.
The Illustrated Iron Cross essay gives this tribute a real Ireland study, where one article can be widened with Cong, Durrow, inscription, and Irish metalwork context.
Why outside corroboration matters
That makes the archive more trustworthy. These outside references help show that the work was seen, reused, or cited beyond the blog network itself.
Best for the public biographical framing that names archaeology and restoration directly.
Open sourceBest for outside image-credit lines on Stela 5 and related Izapa material under Mary Alice Bennett / MJA.
Open sourceBest for the broader reconstruction and ancient-world visual thread that continues beyond a single article or mention.
Open sourceRelated pages
This related-reading section helps readers move from the core archaeology material into the strongest connected studies here.
Reconstruction notes, site context, and comparative material are the core anchors for these pages.
Start here for the clearest evidence-led material in the archaeology section.
Object studyExplore this piece for a more focused Maya object study tied to one published article.
Florence imageExplore this piece for a Renaissance painting study tied to a published article and conservation history.
Relic historyExplore this piece for a sacred-object study tied to a published article and Irish visual history.
Egypt studyExplore this piece for an Egypt-focused study centered on the article and wider historical context.
Comparative projectExplore this piece for a broader Maya and ancient-Americas view beyond a single site.
France–Maya hingeThis door lets the archaeology world bend toward southern France, where terrain and symbolic history still intersect the broader ancient-world imagination.
Grounded terrainUse the places guide to keep the research tied to real geography.
Related archive pages
Curation rule
This page is deliberately careful. It shows a strong public archaeology-and-restoration thread, but it does not invent formal exhibition history, institutional roles, or claims that the sources does not actually support yet.